What is Free Online Slots? Free online slots are purely online slot machines, which are played without wager. They’re very similar to online casino slots in how the game is played – reels are constantly spinning, you either hit a win line and win, or stop and lose. The reels on online slots aren’t the same with the ones in land-based casinos, though. In land-based casinos, the reels have a handle so that they spin at a fixed speed, while online slots spin at random.
While this might sound like there’s no challenge in playing free online slots, you should be aware that this isn’t true. In fact, playing free casino slots can be a lot of fun, but it also has its challenges. One of the biggest challenges you’ll face when playing free online slots is keeping your bankroll healthy. You can’t win real money from free online slots – you can, however win prizes which may equal large sums of money.
A lot of people think that when they play free online slots, they “win” money by exchanging virtual coins for actual coins in the real world. It’s true that you do win money when you play free games but what you often won’t find is that the amount you win is the same as the amount you spent. This means that the virtual money you win is pretty much just going to buy more virtual coins!
One of the most popular forms of virtual money in free slot machines are loyalty points. When you sign up for slots with online casinos, you often receive a set amount of loyalty points. When you play free slot machines, you can keep those points you get in the bank and use them towards any types of casino gambling you want. For example, you may Spanien Casino Urlaub use your loyalty points to purchase more coins so that you have more options when playing slots.
The benefits of gambling on free slots are fairly obvious. One of the best ways to win money from free slots is to find the one with the lowest jackpot. In fact, this isn’t always the case; often the smaller jackpots on the smaller machines are no bigger draws than the big jackpots on the larger machines. As long as you play the right casino slot machine, you can end up getting some quick payouts. You can even rack up hundreds of dollars by winning on these types of free slots!
The odds of winning prizes in online slot machine games are never good. Even with the smaller jackpots, your odds of winning are still below average. This is because a lot of the time you’ll be competing against a lot of other casino goers who want to cash in on the slot’s jackpot. If you were to max out your bets then you’ll likely end up being one of the lucky few that gets to take home the prize.
The best known and most heavily favored online casino free spins are the blackjack, roulette and baccarat. Blackjack and roulette are the easiest to pick as they are the oldest free slot games. With these two slot games you’re sure to get some quick payouts. On the other hand, baccarat is a newer addition to the list of online casino free spins. It wasn’t too long ago when this slot game was just starting to become popular in online casinos. With the recent increase in online casinos targeting younger gamblers baccarat has become a favorite among young gamblers looking for ways to win some quick bucks.
All of these free online slots should offer you some form of signup bonus. These can often include money deposited into your account to allow you to play all the games without actually having to use your credit card. Some of the bigger casinos will even let you set up a free casino account where you can start playing right away and claim your deposit bonuses after a specified amount of time. With so many online casinos competing against each other it’s always a good idea to look around and see what’s available before deciding which casino to place your bets with.
Why should you be playing real money online at a casino? Many experienced players enjoy the thrill of playing with real money in online casinos. Real money games provide the best casino discounts promotions, bonuses, and jackpots, that prove a great draw to experienced players who are looking to maximize their gaming bankrolls and win potential. If you’ve been a loyal player for some time you’ll know what this means that you will see an increase in your winnings, sometimes even up to double. If you’re new to online gambling, it is worthwhile to learn how to play real money.
Many new players have heard of the welcome bonus that is offered by some online casinos. Signing up for an online casino can earn you a certain amount in free money. This can be either in real or virtual currency. Certain welcome bonuses are offered only to new players, while others are awarded to all players. Certain casinos offer welcome bonuses in addition to winning real money in the casinos. Some websites offer new players the chance to play a variety of games for free, while other will welcome new players by offering virtual currency. Regardless of the format, most casinos are welcoming new players by offering welcome bonuses.
One of the best casinos online that provides welcome bonuses is Bodog. Bodog has been a top online casino for quite a while. They remain awe-inspiring with their excellent customer service, exciting games, and other amazing features. Bodog offers an offer of welcome bonuses when you sign up. Each new player receives an extra 15% bonus on all table games, upon the first deposit made with any cash or credit card. You can even bet on the massive jackpot if you’re determined. You don’t need to be a professional in order to play.
The second part of the welcome bonus deals at the top online casinos is the no deposit money option. Casinos want players to come to their site, so they make it simple for those who don’t wish to deposit any real money to play at the site. You can withdraw your winnings at any moment and don’t have to deposit money. Some top online casinos allow you to withdraw as much you want, up to a maximum of a thousand dollars, so you can spend that money on whatever you like.
Customer support is the next part of the best online casino welcome bonus deals. The bonuses offered by USA online casinos usually cover a wide range of areas, such as accessing the US government websites for the Treasury department, the mint department, and the Federal Court House. But that’s not all the majority of casinos offer free customer support for a wide range of different concerns, from questions regarding the games and strategies to general questions regarding the use of the services. The support provided by the best USA online casino bonuses site will be second to none should you require assistance with any aspect of the game.
Finally, some top USA online casino games offer special rewards and promotions for new players. New players can benefit from exclusive promotions and high-value prizes at casinos online in the USA including Blackjack, Slots and Baccarat. The specific terms and conditions for each game can differ, so it’s essential to go through the terms and conditions before selecting the bonuses you are eligible for. Certain bonuses offer attractive rates of return for investments, so it’s worthwhile to find the best deals on winnings from gambling.
Many top US online casinos provide fair, legal and free casino play on a range of gaming devices. These include poker rooms online and video poker sites. It is important to read the terms and conditions with these offers before you start playing in any online casino games, because the final costs you’ll be facing could outweigh any benefits you gain. It’s worthwhile to look into USA casinos online if you want to enjoy a wonderful gambling experience without having to worry about the costs. Many of these casinos are owned by reputable gaming companies, so it’s unlikely that you’ll be charged any unexpected losses or bad debts.
The website links below provide additional information on USA online casinos. There’s a wealth of useful information, and also hyperlinks to some of the best live dealer games available. Download the no-cost live casino app to play any of the casino games. You’ll be Spanien Casino Hotels able to play any time, on any device with an internet connection even if you don’t have an account online yet. This is fantastic news for anyone who wants to try an USA online casino without having to deposit any money yet.
Welcome to our extensive guide on the most effective online casino sites that approve Mastercard down payments. If you’re a devoted online gambling establishment gamer and favor utilizing your Mastercard for deals, this write-up is for you. We have actually carried out considerable research study to bring you a checklist of trustworthy and reliable online casino sites that not just accept Mastercard deposits however additionally provide a secure and satisfying pc gaming experience. Whether you’re an experienced gamer or new to the globe of online gaming, this guide will assist you find the perfect on the internet gambling enterprise for your requirements.
Mastercard is among the most widely accepted payment methods in the online gaming market. Its secure and convenient nature makes it an optimal choice for players who intend to make quick and problem-free down payments to their casino site accounts. With Mastercard, you can delight in seamless deals, structured individual experience, and included safety attributes that safeguard your financial information.
Prior to we explore our list of the very best online gambling establishments that approve Mastercard deposits, it’s important to understand the crucial aspects you must take into consideration when selecting a casino site. These aspects make sure that you have a risk-free and satisfying gaming experience, free from any type of potential problems or frauds.
Licensing and Guideline: It’s important to choose an online casino that is accredited and regulated by a respectable authority. This makes sure that the casino site operates within legal borders and maintains industry standards.
Safety and security Measures: Search for on-line gambling establishments that make use of innovative safety steps to safeguard your personal and monetary information. This consists of SSL security and firewall softwares that avoid unauthorized accessibility to your data.
Video game Option: The quality and selection of casino site video games are important aspects to think about. A fantastic on-line casino must offer a varied variety of video games, consisting of slots, table video games, live supplier video games, and extra.
Benefit and Promos: Think about the perks and promos supplied by the on-line casino site. These can improve your pc gaming experience and give chances for additional winnings. Search for gambling establishments that provide charitable welcome rewards and ongoing promotions casino online migliori for devoted gamers.
Settlement Options: As we’re concentrating on Mastercard deposits, it’s important to select an online casino that approves this payment method. Furthermore, inspect if the gambling establishment uses other hassle-free and prominent repayment options that suit your choices.
Consumer Assistance: A dependable client assistance group is essential for any type of on the internet gambling enterprise. Look for casino sites that provide multiple contact channels, such as live chat, email, or phone assistance, to assist you with any queries or problems you may encounter.
After thinking about the above elements, we have actually compiled a checklist of the top online gambling establishments that accept Mastercard deposits. These casinos have been completely evaluated and are known for their outstanding services, game selection, and safe and secure payment alternatives.
These are simply a couple of instances of the on-line casinos that accept Mastercard down payments. Each online casino on our listing has undergone thorough testing to guarantee it fulfills our high criteria of safety, integrity, plinko casino and pc gaming experience.
Now that you have a checklist of reputable on-line gambling enterprises that approve Mastercard deposits, right here are some ideas to make the most out of your gaming experience:
Choosing an online gambling enterprise that accepts Mastercard down payments doesn’t need to be a daunting task. With our overview, you now have a thorough list of credible and dependable on-line gambling enterprises that focus on the safety and security and ease of Mastercard customers. Bear in mind to consider the key factors when choosing a casino site and follow our tips for a safe and pleasurable gaming experience. Satisfied having fun!
If you need even more info or assistance, do not hesitate to reach out to our customer assistance group. We’re right here to help!
With the increase of cryptocurrencies, it’s no surprise that they have actually made their way right into the on-line gambling industry. Bitcoin, in particular, has actually become a preferred selection for players looking for a safe and confidential way to gamble online. In this short article, we will check out the world of on the internet casinos that approve bitcoin, providing you with an informative and extensive overview.
Bitcoin gambling establishments supply several benefits over typical on the internet gambling establishments that just accept fiat money. Right here are some vital benefits:
1. Privacy: Among the primary benefits of utilizing bitcoin for on-line betting is the privacy it offers. Bitcoin purchases do not call for any personal details, permitting gamers to keep their identification completely personal.
2. Protection: Bitcoin deals are encrypted and safe and secure, minimizing the danger of fraudulence or unauthorized accessibility to individual and financial info.
3. Fast and Easy Transactions: Bitcoin deals are processed quickly, permitting players to down payment and withdraw funds with ease and with no delays.
4. International Ease Of Access: Bitcoin is a decentralized currency, suggesting it can be accessed and utilized by players from throughout the world.
5. Reduced Charges: Bitcoin deals commonly have reduced charges compared to typical settlement approaches. This means that players can save cash on transaction expenses.
When selecting a bitcoin gambling enterprise, there are a number of elements to consider:
1. Credibility: It is very important to pick a reliable and reliable bitcoin casino site. Search for gambling establishments that have actually been in operation for a while and have positive reviews from gamers.
2. Licensing:Ensure that the bitcoin gambling establishment you choose is certified Καζίνο Καναγουέικ Ελλάδα and regulated by a respectable territory. This will make sure that the gambling enterprise runs in compliance with sector standards and laws.
3. Game Choice: Look for a bitcoin gambling establishment that uses a wide range of video games, consisting of popular slots, table games, and live supplier games.
4. Bonus offers and Promos: Check for appealing incentives and promos offered by the bitcoin gambling enterprise. This can include welcome incentives, totally free rotates, and commitment programs.
5. Customer Support: A dependable bitcoin gambling establishment must supply outstanding client support, with numerous channels of interaction offered, such as live chat, e-mail, and phone assistance.
If you’re brand-new to playing at bitcoin gambling establishments, below are some suggestions to enhance your video gaming experience:
As the appeal of cryptocurrencies remains to expand, we can anticipate to see more on the internet gambling enterprises approving bitcoin and other cryptocurrencies. The advantages that bitcoin offers, such as privacy and safety and security, make it an attractive option for players that value personal privacy and benefit.
In addition, improvements in blockchain innovation are Casinò Anjouan paving the way for cutting-edge attributes in bitcoin casinos. These consist of decentralized video games, clever contract-based gambling, and improved openness.
Bitcoin casinos offer an unique and interesting means to gamble online. With the anonymity, protection, and ease that bitcoin uses, it’s no surprise why more gamers are turning to bitcoin gambling establishments. By choosing a reputable bitcoin casino site and following our ideas, you can boost your pc gaming experience and take pleasure in all the benefits that bitcoin betting needs to supply.
Online casino sites have actually come to be progressively prominent in recent years, supplying individuals with a hassle-free and accessible way to enjoy their favorite gambling enterprise video games from the convenience of their own homes. As the market continues to grow, gamers usually seek safe and trustworthy settlement techniques to fund their on the internet betting tasks. One such method is Mastercard, an extensively accepted repayment option in countless on the internet casino sites. In this post, we will check out the benefits, functions, and factors to consider of using Mastercard in on-line gambling establishments.
Mastercard is a worldwide payment network that makes it possible for secure and efficient electronic deals. It runs as a digital payment option, enabling customers to make acquisitions, transfer funds, and withdraw cash money worldwide. With a Mastercard, individuals can access their funds through different networks, consisting of physical cards, mobile purses, and on-line systems.
Mastercard uses numerous different Casinò Malta bonus di benvenuto types of cards, including bank card, debit cards, and pre paid cards. Charge card provide a line of credit provided by the card issuer, permitting customers to obtain cash for acquisitions and pay it back gradually. Debit cards, on the various other hand, subtract funds straight from the user’s savings account at the time of the purchase. Pre-paid cards, as the name recommends, are loaded with a certain quantity of funds in advance and can be utilized until the balance is depleted.
With its comprehensive reach and acceptance, Mastercard has actually become a prominent option for on the internet casino players seeking a safe and convenient settlement technique.
Using Mastercard in on the internet casinos supplies a number of benefits for players, making it an eye-catching alternative for moneying their gambling tasks. Below are a few of the key advantages:
While Mastercard is a popular and reputable settlement method, there are a few factors to consider to keep in mind when utilizing it for on the internet gambling establishment transactions. Below are some crucial aspects to take into consideration:
Using Mastercard in on-line casinos is an uncomplicated procedure. Below are the general steps to adhere to:
Mastercard provides a safe, practical, and extensively accepted repayment technique for on the internet casino players. With its comprehensive network and advanced protection procedures, players can appreciate a seamless video gaming experience while utilizing their Mastercard to money their Ασφαλές Καζίνο Ανζουάν Ελλάδα gambling activities. Nonetheless, it is essential to consider factors such as withdrawal restrictions, purchase fees, and accountable betting routines when making use of Mastercard in on the internet casino sites. By following the essential safety measures and picking trustworthy on-line gambling enterprises, players can appreciate the exhilaration of online gambling with the ease of Mastercard as their favored settlement choice.

United Nations, New York City
(source: www.guardian.co.uk)
Städelschule Architecture Class’ (SAC) new specialisation in Architecture and Critical Spatial Practice (ACSP) navigates architecture as a critical spatial, political, cultural, and social tool taking full advantage of SAC’s position within the Städelschule. It draws on the playful and culturally discursive potential of the relationship between architecture and related disciplines, first and foremost art, to reinvigorate architecture with cultural, social and political criticism. It will establish a productive dialogue with the other half of the Städelschule benefiting from the friction that intrinsically exists between art and architecture. ACSP gains from cross-disciplinary fertilisation through intensive collaboration with Städelschule’s art department and a vital interaction of the student bodies.
In its approach to various contemporary topics, ACSP sees SAC’s presence in the Städelschule as a privileged position since one aspect of contemporary production in the arts is precisely to pose inquiries along the lines of how critical practices operate. In this context, architecture holds a particular promise since its relationship to spatial domains is inherent to its history and contemporary status. However, much contemporary production in architecture is void of its responsibilities in these terms and unaware of its consequences. ACSP aims to provide a much needed re-injection of a vital, critical discourse to the field.
Can social complexity, antagonistic encounter, and critical content exchange be designed? What constitutes the productive transitions of physical scales and programmatic (in-)formalities when it comes to political encounters? When we stage discourse, when and how does the political emerge?
Critical Spatial Practice should be understood as a means of rethinking one’s professional practice, operation, and codes of conduct. Consequently, the singular formal and often self-referential approach of architecture is being enhanced by a complex field of interests, methods and lines of attack. These utilize a set of specific tools at various scales in order to deal with a situation at hand in the most productive yet critical manner and set up critical ‘problematics’.

‘Hier Entsteht’ credits: Jesko Fezer and Mathias Heyden, Berlin

Tahrir Square, Cairo
(source: Wikipedia)
Architectural history has been dominated by publications as a site and test-ground for ideas: at some point, paper was the most radical architectural material of all. Architecture has a very specific history embedded in the production and dissemination of discursive platforms such as books, magazines and self-published fanzines.
ACSP understands itself at the intersection of publishing as distribution of ideas – the production of a pro-active and self-initiated (public) debate as a test-site for spatial speculation. Students will be directly involved in the formulation of questions, outlining of possible inquiries, researching and mapping those territories of concern, distributing ideas and content as a proposition: an active involvement in the world surrounding them.
Within Critical Spatial Practice, the question of feedback is crucial. Its pursuits no longer hinges on the belief in individual artistic production, but heavily depends on often conflictual exchange with likeminded practitioners, collaborators, as well as potential adversaries. Publishing will become a central tool for students to think their projects through a common format, which will help them to address their concerns to a specific, developed and predefined audience. Within this format, students will develop their individual or group projects that form part of a larger yearlong trajectory. Consequently, student work will focus not on a ‘final design’, but an inquiry and documentation of an experiment, a discursively argued thesis towards a ‘spatial condition.’ This condition may result in an architectural scale proposal, a social event, a policy document, an analysis of spatial typologies, or a critical documentation of an existing situation.
ACSP will think about ‘space’ without necessarily intervening in it physically, but trying to sensitise, promote, develop and foster an attitude towards contemporary spatial production, its triggers, driving forces, effects and affects. As a group, we will speculate on the modalities of production and potential benefits of the role of ‘the outsider.’
The setting up of such scaffold and borderlines is important as each individual contributor to the project needs to take a position, which always has consequences. Only when a border is acknowledged, understood and recognised it can be broken, transgressed or (mis)used. By deliberately producing such antagonistic fields of productive encounters, ACSP nurtures and exploits misunderstandings and a pro-active outlook on the value of failure as the starting point of all experimentation. An annual thematic umbrella formulates the subject of our investigation. This central narrative acts as a test ground on which individuals and groups can experiment.
“To professionalize is to impose structure.”
John O’Brian
“The MFA is the new MBA.”
Harvard Business Review
This seminar and symposium explores the relationship between architecture as a professional practice and the potential alternative roles and (institutional) avenues that such practice may explore. It presents the practice of architecture as one, which is part and parcel of a larger set of critical spatial practices that explore, develop, and exploit the symbiotic nature of contemporary culture and space. Leading up to the event, the seminar by Markus Miessen will present and explore the notion of the Crossbench Practitioner as a case study that investigates the possibility of a practice without mandate: how to become pro-actively involved in the (spatial) world that surrounds us, how to imagine a contemporary (professional) role outside the constraints of the traditional architecture office, how to imagine alternative career paths. Arguably, content has become a personal signature that sends messages far beyond the remit and often-hermetic nature of formal design discourses.
Guests: Erhan Öze, Matthias Görlich, Kai Vöckler
Download PDF:
Content-as-Signature.pdf [60KB]
Historically, Frankfurt is home to the “Messe Frankfurt”, one of the largest trade fairs in the world, which – in its current legal and operational framework – was established in 1907. However, the actual trade fair dates back to 1152, when Frankfurt was first mentioned as a major port for international trade. One of the central advantages of Frankfurt as a historically interregional and later global city is owed to its highly convenient geopolitical location: next to or close to two major rivers (Main and Rhein), and well connected to major pan-European trade routes and road networks. Today, Frankfurt hosts the ninth busiest airport globally, and is home to the Lufthansa fleet. In 1785 the first recorded manned flight in Germany took place in Frankfurt when a hydrogen-balloon was launched as part of the trade fair. Lufthansa was founded two years after the Messe Frankfurt.
Hidden Infrastructures:
the enabling space for trade
Since Frankfurt is such an important centre for trade, it bursts with two very different sets of infrastructure: at first, it necessitates a formal infrastructure, which supports, benefits from, and enables official trade. Examples include the trade fair, the stock exchange, the European Central Bank, all major international banks, the airport, the train station, the motorways, business centres, and hotels.
Further, the above phenomenon produces a fertile ground for alternative forms of markets and trade, but also relies on a second-layer infrastructure, which allows for a trade-capital to operate on a daily basis, an infrastructure, which is often not visible and may not have a clearly recognizable and specifically designed facade or face to it. Examples of this phenomenon include Internet service hubs, server warehouses, the Commerzbank trading floor (Bahnhofsviertel), the largest Internet hub in the world (De-Cix Management GmbH, Ostend & Gallus), Central Data Centres (i.e. on Hanauer Landstrasse & Kleyerstrasse), Deutsche Börse Rechenzentrum Eschborn, call centres, (unofficial) detention centres, informal sex work, sterile environments, and second layer markets.
Framework
As part of the larger project Theatrum Mundi/Global Street, this yearlong research project at the Städelschule investigates the question and phenomenon of (informal) trade, spaces of infrastructure, and – more specifically – practices and buildings without a Face/ade. Theatrum Mundi/Global Street is a project that aims to bring architects, urban planners, and visual artists together in order to re-imagine questions of the public, publicness, and everyday street culture of 21st century cities. In New York, Theatrum Mundi is working on questions of choreography and public speaking, while the London group is working on questions of space, sound and light, the Städelschule Architecture Class (SAC) project will investigate the urban reality and potentials of exchange and trade, as well as the objects and spaces that these elements produce, both in relation to the city and to its spatial setting: meeting points, public and otherwise, in the shadow, so to speak.
As a starting point, the group will inquire questions of trade and how those practices spatialize within urban environments: what determines those processes, how are they ‘designed’, and at which moment do they become ‘architectural’?
Attempting to map and visualize the invisible, the studio will start by studying spatial histories of global trade on a local scale. We will use the city of Frankfurt as a central European case that exemplifies how material and immaterial goods are being circulated, ranging from formal to informal, from financial transactions to passenger flows and the urban infrastructure of physical products, from migrant communities (geo-political background) to the Elderly (age), from illegal practices to forms and formats of night labour, from spaces of financial infrastructure and information flows to control rooms, where decisions are being made. The fact that many of those practices are taking place as often unwanted but tolerated invisible practices also points at the question of what kind of urban culture is being promoted today.
While focusing on the local, Frankfurt – as an international city – by default reveals global implications and therefore the project will attempt to unpack relevant questions of geopolitics. As the studio will deal with the question of the invisible, one of the aims of this ‘de-stealthing’ project will be to x-ray the city that we inhabit, to ‘make presence’ (Saskia Sassen): from informal trade to histories of hidden spaces, from programs without facade to faceless buildings – architectural scale projects that disappear in the city’s fabric.
Dealing with such questions of trade and urban practices ‘below the radar’ (Saskia Sassen) will also entail to study, understand, and speculate on the constructions of identities and communities in the contemporary city. To speculate on this further raises the question of ‘urban capabilities’ (Saskia Sassen), in other words: why does a particular city lend itself to a specific, localized and customized set of practices?
In the context of this project, the notion of exchange and trade will be interpreted and tested as ‘soft encounters’ (Siobhan Davis), everyday practices that embody and reveal different notions of presence, awareness and perception. While some phenomena that we will investigate may take place in physically remote neighbourhoods and sites within the urban environment, others may claim and occupy spaces, which change on a 24hr timetable: activities that only take place after sunset (specific kinds of markets, sexual services, gambling, drug trading et al.), activities that illustrate the relationship between practices that ‘contaminate and decontaminate’ (Saskia Sassen), being open and accessible at times and hermetic at other times. When they accumulate they generate a rupture in the often-homogeneous daily life of the city.
These ruptures produced by the invisible are based on a very specific and alternative interpretation and practice of ownership: one, which tends to often not be based on legal, but temporary ownership, in other words: presence as a result of occupation, creating presence not by “owning” (a specific section of) the public space, but producing presence by inhabiting. What constitutes the thresholds and borders of such practices and architecture? What would such space look like today?
This endeavour should entail site-specific and research-based investigations and projects. In the Weltkulturen Museum we have, for instance, organized research-based sessions, workshops and displays open to the public, where we take various and specifically scouted and produced mappings and objects as triggers for an understanding of trade & presence, in particular an urban political presence. The Weltkulturen Museum will dedicate several exhibitions and events to the overall theme of “Trading Perceptions” over the following years. The diverse relationships that determine the ways in which artefacts have been circulated and traded, the connections of the museum to global commerce and to changing political and economic incentives are all aspects of the inquiry.
Green Room
The Green Room on the upper floor of the Weltkulturen Museum in Frankfurt is a laboratory space, which has been explored as a temporary production-in-residence in which the team has worked on an installation and display of process(es). The studio has been invited by the museum to undertake research in this laboratory-like condition, formulating new interpretations and creating original artworks based on the findings, superimposition and conflicts generated by the contemporary condition of Frankfurt (our findings) and the historic depth of the museum’s existing and outstanding collection. The space has been used as an archive of mapping and research work on stealth spaces and objects relating to formal and informal modes of trade, based on our ongoing investigation in the city of Frankfurt. In order to enhance the historic contextualization of the project, we have also worked with architectural photographs from the image archive as well as with selected architectural artifacts and objects of the collection of the Weltkulturen Museum.
(Political Space and Agonistic Encounter)
This coming year, ACSP will inquire the complex narratives around political congregation. What constitutes the space for/of politics? This yearlong project will investigate how to imagine, devise and design a space of politics, both through content-related curatorial questions as well as its potential physical counterpart, differentiating between that which is politics and that which is the political. Small groups of students will work on thematic sub-clusters dealing with the question of how political congregation and struggle has been and is currently being staged, consciously or not, and how alternatives to those models could be developed.

Parliamentary chambers, by Ana Filipovic, 2012
Using the productive conflict between consensual versus dissensual modes of practice as a driving force to develop individual projects, we will think both through the terms of ‘curating content’ and ‘staging conflict’ in order to develop tools that help us define socio-spatial frameworks that can be tested against reality – ranging from transient and informal to highly structured and formal. These changes in scale (physical) and intention (in/formalities) will produce a fertile ground for speculation: if, sometimes, physical space (design) does not matter, what constitutes the elementary components of a political and/or social forum?
Students will develop a set of comparative critical studies, mappings and individual projects around the notion of congregational zones and territories as well as the social and spatial dynamics of institutions versus transitory settings of debate. Does decision-making take place only within the designed rigidity of the courtroom and parliament or does it emerge in the informal corner of the corridor, between meetings, with a coffee and a cigarette? And if so, how can such processes or spaces be addressed through design?

Occupy Frankfurt – Differentiated grounds, by Dunja Predic and Petter Hoff, 2012
Each year, the Class will conduct a content/theme-specific international research trip. In this new setting of ACSP, the Winter School Middle East operates as a strategic link between the Städelschule and outside activities and projects.

The Space of Agonism
Markus Miessen, Chantal Mouffe
Critical Spatial Practice 2
Sternberg-Press, 2012
Edited by Nikolaus Hirsch and Markus Miessen
Including an artist project by Rabih Mroué
The second volume in the Critical Spatial Practice series presents a selection of conversations between Markus Miessen and political philosopher Chantal Mouffe. Taking place intermittently between December 2006 and October 2011, the dialogues attempt to unpack current dilemmas and popular mobilizations in terms of consensus-driven formats of political decision making. The conversations were alternately driven by Miessen’s specific concerns regarding his ongoing investigation into conflict-based forms of participation as an alternative (spatial) practice in democratic systems, and Mouffe’s understanding and theory of a “conflictual consensus.” Thinking in terms of agonism and “demoicracy”—a union that acknowledges the plurality and permanence of its different populations—the book proposes new approaches to countering and responding to the globalizing thrust of neoliberalism.
Design by Zak Group
November 2012, English
10.5 x 15 cm, 148 pages, 23 color ills., softcover with dust jacket
ISBN 978-3-943365-41-2
€15.00

What Is Critical Spatial Practice?
Nikolaus Hirsch, Markus Miessen (Eds.)
Critical Spatial Practice 1
Sternberg-Press, 2012
In September 2011, Nikolaus Hirsch and Markus Miessen invited protagonists from the fields of architecture, art, philosophy, and literature to reflect on the single question of what, today, can be understood as a critical modality of spatial practice. Most of the sixty-four contributions presented in this volume were composed concurrently with the evictions of many of the Occupy movements, sustained turmoil in countries of the Arab Spring, and continued spasms in the global financial system, which, interestingly, all pointed at the question and problematic of whether architecture and our physical environment can still be understood as a res publica. A response by the editors takes the form of a conversation.
This book is first in a series on critical spatial practice developed alongside the Städelschule program of the same name. Each edition includes work by invited artists—the first includes newly commissioned work by the photographer Armin Linke, who documented the Occupy camp around the European Central Bank in Frankfurt.
Design by Zak Group
September 2012, English
12 x 16.5 cm, 240 pages, 8 color ill., softcover
ISBN 978-3-943365-27-6
€15.00

Architecture+Critical Spatial Practice, 2012
CULTURES OF ASSEMBLY
Design by Studio Matthias Görlich
(Matthias Görlich, Charalampos Lazos)
Download PDF:
Cultures Of Assembly, Newspaper, 2012 [8.8 MB]

Architecture+Critical Spatial Practice, 2013
STEALTH ARCHITECTURE
Design by Studio Matthias Görlich
(Matthias Görlich, Charalampos Lazos)
Download PDF:
Stealth Architecture, Newspaper, 2013 [8.2 MB]
Markus Miessen
Guest Professor, ACSP Städelschule;
architect and writer, director Studio Miessen, Berlin.
Nikolaus Hirsch
Professor, director Städelschule and co-editor, Critical Spatial Practice book series
Matthias Görlich
Designer and Consultant, ACSP and CSP website
Zak Kyes
Designer, Critical Spatial Practice book series
Caroline Schneider
publisher CSP book series, Sternberg Press
Johan Bettum
Professor, Program Director, Städelschule Architecture Class (SAC)
Ben van Berkel
Professor, Dean, Städelschule Architecture Class (SAC)
Researchers:
Ana Filipovic, Dunja Predic, Petter Hoff, Phillip Zach, Elif Erkan, Iva Baljkas, Joel Roy, Flaka Haliti, and Christoph Esser.
Guest Critics:
Nikolaus Hirsch, Matthias Görlich, Mirco Becker, Beatriz Colomina, Joseph Grima, Federica Bueti, Armin Linke, Dr. Clémentine Deliss, Dr. Yvette Mutumba, Diogo Pereira, Yulia Startsev, and Zak Kyes.
Acknowledgements:
Nikolaus Hirsch, Dr. Clémentine Deliss, Dr. Yvette Mutumba, Caroline Schneider, Tatjana Günthner, Matthias Görlich, Charalampos Lazos, Patricia Reed, Zak Kyes, Gregory Ambos, Armin Linke, Jonas Leihener, and all contributors to the Critical Spatial Practice project.
© Critical Spatial Practice, Markus Miessen (www.studiomiessen.com).
All rights reserved, including the right of reproduction in whole or in part in any form.
Critical Spatial Practice is currently hosted by:
Staatliche Hochschule für Bildende Künste
–
Städelschule, Dürerstraße 10,
60596 Frankfurt am Main, Germany
www.staedelschule.de
Email: miessen@studiomiessen.com
Website: www.criticalspatialpractice.org
Design:
Studio Matthias Görlich, Darmstadt
www.mgoerlich.com
Programming:
Florian Schunck
www.snck.biz
Legal Information
Critical Spatial Practice accepts no liability for the correctness or completeness of any information contained in this website. The contents are subject to change; errors excepted.
The entire content of the website as well as their graphic and conceptual presentation are subject to the copyright of the respective author and may not be reproduced or used without the express written permission of the latter. We furthermore explicitly oppose the use of all E-Mail addresses published on this website for the purpose of sending unsolicited advertisements by E-Mail (so-called ‘Spam’). References to other websites, web pages or electronic documents (hyperlinks) do not represent any appropriation of the contents of those sites, pages or documents as defined by law. The authors of the HTML documents referred to by this website are solely responsible for the contents of the respective documents. No personal data transmitted to us by way of this website will be forwarded to any third party.