Perform Striking Females Really Get Away With Even More? We got a, very long Look

Life appears to get quite efficiently for stunning women. They are primary applicants for lucrative modelling contracts and top girl functions, men fall over by themselves to pull seats for them and pay for their own dinners, and, in terms of matchmaking, they merely need certainly to select among the dozens upon lots of hopeless males prearranged outside their particular doors. They snap through life blissfully unaware of exactly how much more challenging everything is for normal searching men and women, and possibilities which is why other individuals need scavenge and hustle simply belong to their particular laps.

Hold off… truly?

The theory that beautiful ladies have actually laughably effortless resides, and they’re ignorant for the strengths their appearance manage all of them, is a persistent social trope. However, the evidence that the is truly the actual situation is only a little thin on the ground, and ignores the bigger issue of just how sexism and misogyny causes existence to be tougher for every females. Discover why we should be re-thinking the concept that stunning females get away with above we do:

What Is “Beauty right”?

We you live in an instant of preoccupation together with the notion of personal advantage. Three years after Peggy McIntosh published her pivotal essay, “light right: Unpacking the Invisible Knapsack”, the notion of “examining your privilege” has actually morphed into a social fixation; a type of collective, psychological abacus we use to figure out which types folks have the easiest resides, and just why. Following the ideas of white advantage, male advantage and direct advantage had become taken for granted, leaders searched for brand-new frontiers, and it was not a long time before every method of personal benefit people have had been developed through lens of privilege: slim advantage, neurotypical privilege and, in the course of time, “beauty privilege” (as well as its inverse type of discrimination, “looksism”). Plus in certain internet-based subcultures, particularly the men’s room rights movement and pickup-artist neighborhood, the idea that ladies have specifically strong personal advantages from becoming stunning shot to popularity in popularity.

Undoubtedly, numerous ‘men’s interest’ teams tend to be dedicated to dissecting just how beautiful women are able to sail through life without realizing how comparatively hard everything is for unappealing if not average-looking males, therefore the enquiry has become an obsession using quarters. Reddit is a hive with this types of discussion — a comment theorizing that “pretty girl disorder” is present received more than one thousand points and is also nonetheless labeled significantly more than six many years later on, and a conversation about “what it is like to be a hot girl” was hotly discussed in 100s upon countless comments, mostly kept by males. There are also books on the subject: just take, eg, the charmingly entitled , whoever author un-ironically identifies themselves as “The Sex Whisperer” and claims on his web site that, “as a general rule, the greater number of beautiful a woman is actually, the much more likely this woman is as an inconsiderate, self-absorbed mind situation.” These groups pay small attention to the social benefits gotten by good-looking males, or perhaps the disadvantages confronted by unappealing ladies. Their attraction, and sometimes ire, is actually guided entirely at breathtaking females.

But lifetime A Lot Easier when you are gorgeous, correct!?

There’s a particular simple reason to your proven fact that beautiful individuals have simple everyday lives. All the things becoming equal, life really does commonly get more smoothly for stunning folks compared to their unique much less attractive equivalents. Anecdotally, many of us understand this to be real: everybody knows some one therefore gorgeous that they allow most people slipping over both in a dazzled madness to produce life more relaxing for them; and research has additionally demonstrated that breathtaking folks are perceived as more persuasive, healthy and skilled; that stunning political leaders get a lot more ballots and this good-looking folks enjoy better paychecks.

But “all other situations becoming equivalent” is an important certification, as well as the experience with becoming a lovely lady is very different to that of becoming a handsome man — rather than always easier than compared to getting an average-looking or ugly man both. Gender is a substantial determinant of social power, and guys are regarding receiving end of that gendered power dynamic, therefore whatever power charm gives individuals, really tempered, perhaps not amplified, by that individual in addition getting feminine.

Any time you control for any other variables like competition and course, every day life is more difficult, in many provable steps, regarding ladies as opposed for every guys: ladies are compensated less overall for carrying out alike types work; they face sexual attack and harassment at degrees greater than males do (and poor sex indicates something notably worse for women compared to men); they feel unfavorable gender-based stereotyping (example. “get inside the kitchen” laughs while the “difficult lady” myth); plus they shoulder the bulk of the emotional work in interactions plus the workplace.

It is not precisely a walk in the park becoming feminine, being breathtaking doesn’t shield you from sexism and misogyny. Using circumstances, in fact, could amplify it.

The Downsides Of Being A Beautiful Woman

One scenario in which being a lovely girl actually usually effortless is the fact that of simply strolling outside, or perhaps existing in public areas. The trend of street harassment is well documented during the last several years, and even though average-looking ladies in addition suffer with undesired sexual interest, gorgeous ladies can expect to make lion’s show, because by providing based on conventional standards of femininity, these are generally viewed to be “inviting” intimate attention from all men (let us clean this up today: they’re not).

Gorgeous women are additionally frequently browse as vapid and unintelligent, and have their unique capacity and reliability doubted at work, no matter what smart and qualified they truly are. And, once the recent coverage of Harvey Weinstein therefore the following #MeToo action makes clear, stunning ladies are not too powerful which they can not be abused, sexually assaulted and silenced by guys, on a widespread and systemic amount — barely an enviable place, and one that males who think hot ladies “will get away with anything” should do well to consider. (nothing within this is always to declare that every day life is more challenging for gorgeous women than average-looking or unsightly women, by-the-way; typically, the inverse does work.)

All in all, it isn’t really an especially fruitful exercise to obsess more than who’s got more challenging life than which, and how much you can easily “get away with” in life depends upon numerous factors that are not always straight away evident, together with your childhood, amount of wide range, character, mental health and variety other factors.

But beautiful females certainly do not get the easy trip many males think they do, and also the brewing resentment of beautiful ladies that ignores the hardships faced by all females is certainly not an effective activity. It’s time we ditched the concept that hot women get away with something: it is come to be a tired, oversimplified trope that ignores the full image, and it’s really not performing anyone any favors.


El escenario: estás en una cita romántica, y también el hombre sentado frente a lejos de usted afirma o hace algo que te recuerda del ex. Quizás él mastica su comida de manera similar, o posiblemente él es un fanático de los Medias Rojas, también. Cualquiera que sea el caso, es suficiente para permitir ser empezar quejarse sobre todas las cosas que su ex hizo para sus requisitos, cómo completamente equivocado él era obtenible, así como cómo hay una constante desear salir con cualquier persona así otra vez.

Imaginable la razón por qué este gran fecha nunca jamás llamado usted espalda recta, no puedo usted?

A menudo es difícil resistir desahogarse relacionado con pasado ama, particularmente en una romántica entorno como una cita. En cualquier momento dos están recibiendo bien bastante y compartiendo algunos claves, podría sentirse totalmente natural para confiar en una serie de terribles misivas {sobre su|con respecto a|con respecto a tu ex. Pero esto no es una buena manera de día . Quien quiere a ser tu caja de resonancia?

Cuando eres incapaz de administrar la necesidad de liberar, luego comenzar a pensar en tener estos par de acciones entorno usted mismo en una sana citas ruta:

Pregunte: ¿Lo ha hecho ciertamente logrado sobre él / ella? Cuando estás examinando su Twitter página o albergar pensamientos para él sin embargo, entonces podrías no es necesario dado usted mismo tiempo para usted curar.

Solución: habilitar usted mismo para obtener algo holgura de citas para que lo haga está no solo buscando rebote interacciones. Póngase en contacto con amigos para apoyo, sumérjase usted mismo en tareas que le gusta, y te concentras en aliviar a ti mismo. Tienes que dejar ir para nuevo me encanta entra directamente en tú mismo.

Pregunte: {¿Está usted? ¿Estará? ¿Ha estado? ¿Está actualmente? ¿Está actualmente? ¿Podría tener? miedo de otro conexión? A menudo lo haremos conducir oportunidades lejos siempre que estamos asustados maniobrar adelante. Si, por ejemplo, el ex engañó en usted o engañaron de alguna manera, podrías encontrar más desafiante volverse susceptible una vez más.

Solución: querrás analizar las causas respecto a nuestros ansiedades para que podamos pasar ellos. Sea honesto con usted mismo – estará miedo no estás asistir elegir bueno, o que otro hombre realizará lo mismo? Evite ser miedo de buscar asistencia o asistencia. Un eficaz consultor o ministro le ayudará a navegas durante tu sentimientos para ayudar a hacer opciones orgánicas más saludables.

¿Eres jugando a la objetivo? Quizás tu pareja ​​hizo muchas cosas completamente incorrecto, pero permanecer en un estado de ira y culpa no es probablemente proporcionar sus preferencias.

Respuesta: en el lugar de vivienda en todos sus errores, comenzar administrar alrededor tu propio existencia, lo que le gustaría, y cómo podría hacer cosas de otra manera la próxima vez. Cuanto antes dejas ir obteniendo la objetivo, más feliz y saludable las relaciones van a ser en el futuro.

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Either way, end up being attentive to how frequently a lady responds towards internet based communications and just how extended it requires her to reply. If she merely writes straight back once weekly, after that obviously you should not message her seven times each week. If she often becomes back whenever she’s house from work, subsequently content their closer to the termination of the workday. Keep in mind becoming innovative and do not pushy.

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Architecture + Critical Spatial Practice

New York
United Nations, New York City

Städelschule Architecture Class’ (SAC) new specialisation in Architecture and Critical Spatial Practice (ACSP) navigates architecture as a critical spatial, political, cultural, and social tool taking full advantage of SAC’s position within the Städelschule. It draws on the playful and culturally discursive potential of the relationship between architecture and related disciplines, first and foremost art, to reinvigorate architecture with cultural, social and political criticism. It will establish a productive dialogue with the other half of the Städelschule benefiting from the friction that intrinsically exists between art and architecture. ACSP gains from cross-disciplinary fertilisation through intensive collaboration with Städelschule’s art department and a vital interaction of the student bodies.

In its approach to various contemporary topics, ACSP sees SAC’s presence in the Städelschule as a privileged position since one aspect of contemporary production in the arts is precisely to pose inquiries along the lines of how critical practices operate. In this context, architecture holds a particular promise since its relationship to spatial domains is inherent to its history and contemporary status. However, much contemporary production in architecture is void of its responsibilities in these terms and unaware of its consequences. ACSP aims to provide a much needed re-injection of a vital, critical discourse to the field.

Can social complexity, antagonistic encounter, and critical content exchange be designed? What constitutes the productive transitions of physical scales and programmatic (in-)formalities when it comes to political encounters? When we stage discourse, when and how does the political emerge?

Critical Spatial Practice should be understood as a means of rethinking one’s professional practice, operation, and codes of conduct. Consequently, the singular formal and often self-referential approach of architecture is being enhanced by a complex field of interests, methods and lines of attack. These utilize a set of specific tools at various scales in order to deal with a situation at hand in the most productive yet critical manner and set up critical ‘problematics’.


‘Hier Entsteht’ credits: Jesko Fezer and Mathias Heyden, Berlin

Tahrir Square, Cairo
(source: Wikipedia)

Architectural history has been dominated by publications as a site and test-ground for ideas: at some point, paper was the most radical architectural material of all. Architecture has a very specific history embedded in the production and dissemination of discursive platforms such as books, magazines and self-published fanzines.

ACSP understands itself at the intersection of publishing as distribution of ideas – the production of a pro-active and self-initiated (public) debate as a test-site for spatial speculation. Students will be directly involved in the formulation of questions, outlining of possible inquiries, researching and mapping those territories of concern, distributing ideas and content as a proposition: an active involvement in the world surrounding them.

Within Critical Spatial Practice, the question of feedback is crucial. Its pursuits no longer hinges on the belief in individual artistic production, but heavily depends on often conflictual exchange with likeminded practitioners, collaborators, as well as potential adversaries. Publishing will become a central tool for students to think their projects through a common format, which will help them to address their concerns to a specific, developed and predefined audience. Within this format, students will develop their individual or group projects that form part of a larger yearlong trajectory. Consequently, student work will focus not on a ‘final design’, but an inquiry and documentation of an experiment, a discursively argued thesis towards a ‘spatial condition.’ This condition may result in an architectural scale proposal, a social event, a policy document, an analysis of spatial typologies, or a critical documentation of an existing situation.

ACSP will think about ‘space’ without necessarily intervening in it physically, but trying to sensitise, promote, develop and foster an attitude towards contemporary spatial production, its triggers, driving forces, effects and affects. As a group, we will speculate on the modalities of production and potential benefits of the role of ‘the outsider.’

The setting up of such scaffold and borderlines is important as each individual contributor to the project needs to take a position, which always has consequences. Only when a border is acknowledged, understood and recognised it can be broken, transgressed or (mis)used. By deliberately producing such antagonistic fields of productive encounters, ACSP nurtures and exploits misunderstandings and a pro-active outlook on the value of failure as the starting point of all experimentation. An annual thematic umbrella formulates the subject of our investigation. This central narrative acts as a test ground on which individuals and groups can experiment.

Content as Signature?

“To professionalize is to impose structure.”
John O’Brian

“The MFA is the new MBA.”
Harvard Business Review

This seminar and symposium explores the relationship between architecture as a professional practice and the potential alternative roles and (institutional) avenues that such practice may explore. It presents the practice of architecture as one, which is part and parcel of a larger set of critical spatial practices that explore, develop, and exploit the symbiotic nature of contemporary culture and space. Leading up to the event, the seminar by Markus Miessen will present and explore the notion of the Crossbench Practitioner as a case study that investigates the possibility of a practice without mandate: how to become pro-actively involved in the (spatial) world that surrounds us, how to imagine a contemporary (professional) role outside the constraints of the traditional architecture office, how to imagine alternative career paths. Arguably, content has become a personal signature that sends messages far beyond the remit and often-hermetic nature of formal design discourses.

Guests: Erhan Öze, Matthias Görlich, Kai Vöckler

Download PDF:
Content-as-Signature.pdf [60KB]

Stealth Architecture

Historically, Frankfurt is home to the “Messe Frankfurt”, one of the largest trade fairs in the world, which – in its current legal and operational framework – was established in 1907. However, the actual trade fair dates back to 1152, when Frankfurt was first mentioned as a major port for international trade. One of the central advantages of Frankfurt as a historically interregional and later global city is owed to its highly convenient geopolitical location: next to or close to two major rivers (Main and Rhein), and well connected to major pan-European trade routes and road networks. Today, Frankfurt hosts the ninth busiest airport globally, and is home to the Lufthansa fleet. In 1785 the first recorded manned flight in Germany took place in Frankfurt when a hydrogen-balloon was launched as part of the trade fair. Lufthansa was founded two years after the Messe Frankfurt.

Hidden Infrastructures:
the enabling space for trade

Since Frankfurt is such an important centre for trade, it bursts with two very different sets of infrastructure: at first, it necessitates a formal infrastructure, which supports, benefits from, and enables official trade. Examples include the trade fair, the stock exchange, the European Central Bank, all major international banks, the airport, the train station, the motorways, business centres, and hotels.
Further, the above phenomenon produces a fertile ground for alternative forms of markets and trade, but also relies on a second-layer infrastructure, which allows for a trade-capital to operate on a daily basis, an infrastructure, which is often not visible and may not have a clearly recognizable and specifically designed facade or face to it. Examples of this phenomenon include Internet service hubs, server warehouses, the Commerzbank trading floor (Bahnhofsviertel), the largest Internet hub in the world (De-Cix Management GmbH, Ostend & Gallus), Central Data Centres (i.e. on Hanauer Landstrasse & Kleyerstrasse), Deutsche Börse Rechenzentrum Eschborn, call centres, (unofficial) detention centres, informal sex work, sterile environments, and second layer markets.


As part of the larger project Theatrum Mundi/Global Street, this yearlong research project at the Städelschule investigates the question and phenomenon of (informal) trade, spaces of infrastructure, and – more specifically – practices and buildings without a Face/ade. Theatrum Mundi/Global Street is a project that aims to bring architects, urban planners, and visual artists together in order to re-imagine questions of the public, publicness, and everyday street culture of 21st century cities. In New York, Theatrum Mundi is working on questions of choreography and public speaking, while the London group is working on questions of space, sound and light, the Städelschule Architecture Class (SAC) project will investigate the urban reality and potentials of exchange and trade, as well as the objects and spaces that these elements produce, both in relation to the city and to its spatial setting: meeting points, public and otherwise, in the shadow, so to speak.
As a starting point, the group will inquire questions of trade and how those practices spatialize within urban environments: what determines those processes, how are they ‘designed’, and at which moment do they become ‘architectural’?
Attempting to map and visualize the invisible, the studio will start by studying spatial histories of global trade on a local scale. We will use the city of Frankfurt as a central European case that exemplifies how material and immaterial goods are being circulated, ranging from formal to informal, from financial transactions to passenger flows and the urban infrastructure of physical products, from migrant communities (geo-political background) to the Elderly (age), from illegal practices to forms and formats of night labour, from spaces of financial infrastructure and information flows to control rooms, where decisions are being made. The fact that many of those practices are taking place as often unwanted but tolerated invisible practices also points at the question of what kind of urban culture is being promoted today.

While focusing on the local, Frankfurt – as an international city – by default reveals global implications and therefore the project will attempt to unpack relevant questions of geopolitics. As the studio will deal with the question of the invisible, one of the aims of this ‘de-stealthing’ project will be to x-ray the city that we inhabit, to ‘make presence’ (Saskia Sassen): from informal trade to histories of hidden spaces, from programs without facade to faceless buildings – architectural scale projects that disappear in the city’s fabric.
Dealing with such questions of trade and urban practices ‘below the radar’ (Saskia Sassen) will also entail to study, understand, and speculate on the constructions of identities and communities in the contemporary city. To speculate on this further raises the question of ‘urban capabilities’ (Saskia Sassen), in other words: why does a particular city lend itself to a specific, localized and customized set of practices?
In the context of this project, the notion of exchange and trade will be interpreted and tested as ‘soft encounters’ (Siobhan Davis), everyday practices that embody and reveal different notions of presence, awareness and perception. While some phenomena that we will investigate may take place in physically remote neighbourhoods and sites within the urban environment, others may claim and occupy spaces, which change on a 24hr timetable: activities that only take place after sunset (specific kinds of markets, sexual services, gambling, drug trading et al.), activities that illustrate the relationship between practices that ‘contaminate and decontaminate’ (Saskia Sassen), being open and accessible at times and hermetic at other times. When they accumulate they generate a rupture in the often-homogeneous daily life of the city.
These ruptures produced by the invisible are based on a very specific and alternative interpretation and practice of ownership: one, which tends to often not be based on legal, but temporary ownership, in other words: presence as a result of occupation, creating presence not by “owning” (a specific section of) the public space, but producing presence by inhabiting. What constitutes the thresholds and borders of such practices and architecture? What would such space look like today?
This endeavour should entail site-specific and research-based investigations and projects. In the Weltkulturen Museum we have, for instance, organized research-based sessions, workshops and displays open to the public, where we take various and specifically scouted and produced mappings and objects as triggers for an understanding of trade & presence, in particular an urban political presence. The Weltkulturen Museum will dedicate several exhibitions and events to the overall theme of “Trading Perceptions” over the following years. The diverse relationships that determine the ways in which artefacts have been circulated and traded, the connections of the museum to global commerce and to changing political and economic incentives are all aspects of the inquiry.

Green Room

The Green Room on the upper floor of the Weltkulturen Museum in Frankfurt is a laboratory space, which has been explored as a temporary production-in-residence in which the team has worked on an installation and display of process(es). The studio has been invited by the museum to undertake research in this laboratory-like condition, formulating new interpretations and creating original artworks based on the findings, superimposition and conflicts generated by the contemporary condition of Frankfurt (our findings) and the historic depth of the museum’s existing and outstanding collection. The space has been used as an archive of mapping and research work on stealth spaces and objects relating to formal and informal modes of trade, based on our ongoing investigation in the city of Frankfurt. In order to enhance the historic contextualization of the project, we have also worked with architectural photographs from the image archive as well as with selected architectural artifacts and objects of the collection of the Weltkulturen Museum.

Cultures Of Assembly

(Political Space and Agonistic Encounter)

This coming year, ACSP will inquire the complex narratives around political congregation. What constitutes the space for/of politics? This yearlong project will investigate how to imagine, devise and design a space of politics, both through content-related curatorial questions as well as its potential physical counterpart, differentiating between that which is politics and that which is the political. Small groups of students will work on thematic sub-clusters dealing with the question of how political congregation and struggle has been and is currently being staged, consciously or not, and how alternatives to those models could be developed.

Parliamentary chambers, by Ana Filipovic, 2012

Using the productive conflict between consensual versus dissensual modes of practice as a driving force to develop individual projects, we will think both through the terms of ‘curating content’ and ‘staging conflict’ in order to develop tools that help us define socio-spatial frameworks that can be tested against reality – ranging from transient and informal to highly structured and formal. These changes in scale (physical) and intention (in/formalities) will produce a fertile ground for speculation: if, sometimes, physical space (design) does not matter, what constitutes the elementary components of a political and/or social forum?

Students will develop a set of comparative critical studies, mappings and individual projects around the notion of congregational zones and territories as well as the social and spatial dynamics of institutions versus transitory settings of debate. Does decision-making take place only within the designed rigidity of the courtroom and parliament or does it emerge in the informal corner of the corridor, between meetings, with a coffee and a cigarette? And if so, how can such processes or spaces be addressed through design?

Occupy Frankfurt – Differentiated grounds, by Dunja Predic and Petter Hoff, 2012

Each year, the Class will conduct a content/theme-specific international research trip. In this new setting of ACSP, the Winter School Middle East operates as a strategic link between the Städelschule and outside activities and projects.


The Space of Agonism

Markus Miessen, Chantal Mouffe
Critical Spatial Practice 2
Sternberg-Press, 2012

Edited by Nikolaus Hirsch and Markus Miessen
Including an artist project by Rabih Mroué

The second volume in the Critical Spatial Practice series presents a selection of conversations between Markus Miessen and political philosopher Chantal Mouffe. Taking place intermittently between December 2006 and October 2011, the dialogues attempt to unpack current dilemmas and popular mobilizations in terms of consensus-driven formats of political decision making. The conversations were alternately driven by Miessen’s specific concerns regarding his ongoing investigation into conflict-based forms of participation as an alternative (spatial) practice in democratic systems, and Mouffe’s understanding and theory of a “conflictual consensus.” Thinking in terms of agonism and “demoicracy”—a union that acknowledges the plurality and permanence of its different populations—the book proposes new approaches to countering and responding to the globalizing thrust of neoliberalism.

Design by Zak Group
November 2012, English
10.5 x 15 cm, 148 pages, 23 color ills., softcover with dust jacket
ISBN 978-3-943365-41-2

What Is Critical Spatial Practice?

Nikolaus Hirsch, Markus Miessen (Eds.)
Critical Spatial Practice 1
Sternberg-Press, 2012

In September 2011, Nikolaus Hirsch and Markus Miessen invited protagonists from the fields of architecture, art, philosophy, and literature to reflect on the single question of what, today, can be understood as a critical modality of spatial practice. Most of the sixty-four contribu­tions presented in this volume were composed concurrently with the evictions of many of the Occupy movements, sustained turmoil in countries of the Arab Spring, and continued spasms in the global financial system, which, interestingly, all pointed at the question and problematic of whether archi­tecture and our physical environment can still be understood as a res publica. A response by the editors takes the form of a conversation.

This book is first in a series on critical spatial practice developed alongside the Städelschule program of the same name. Each edition includes work by invited artists—the first includes newly commissioned work by the photographer Armin Linke, who documented the Occupy camp around the European Central Bank in Frankfurt.

Design by Zak Group
September 2012, English
12 x 16.5 cm, 240 pages, 8 color ill., softcover
ISBN 978-3-943365-27-6

Cultures Of Assembly, newspaper, 2012

Architecture+Critical Spatial Practice, 2012

Design by Studio Matthias Görlich
(Matthias Görlich, Charalampos Lazos)

Download PDF:
Cultures Of Assembly, Newspaper, 2012
 [8.8 MB]

Stealth Architecture, newspaper, 2013

Architecture+Critical Spatial Practice, 2013

Design by Studio Matthias Görlich
(Matthias Görlich, Charalampos Lazos)

Download PDF:
Stealth Architecture, Newspaper, 2013
 [8.2 MB]


Markus Miessen
Guest Professor, ACSP Städelschule;
architect and writer, director Studio Miessen, Berlin.

Nikolaus Hirsch
Professor, director Städelschule and co-editor, Critical Spatial Practice book series

Matthias Görlich
Designer and Consultant, ACSP and CSP website

Zak Kyes
Designer, Critical Spatial Practice book series

Caroline Schneider
publisher CSP book series, Sternberg Press

Johan Bettum
Professor, Program Director, Städelschule Architecture Class (SAC)

Ben van Berkel
Professor, Dean, Städelschule Architecture Class (SAC)

Ana Filipovic, Dunja Predic, Petter Hoff, Phillip Zach, Elif Erkan, Iva Baljkas, Joel Roy, Flaka Haliti, and Christoph Esser.

Guest Critics:
Nikolaus Hirsch, Matthias Görlich, Mirco Becker, Beatriz Colomina, Joseph Grima, Federica Bueti, Armin Linke, Dr. Clémentine Deliss, Dr. Yvette Mutumba, Diogo Pereira, Yulia Startsev, and Zak Kyes.

Nikolaus Hirsch, Dr. Clémentine Deliss, Dr. Yvette Mutumba, Caroline Schneider, Tatjana Günthner, Matthias Görlich, Charalampos Lazos, Patricia Reed, Zak Kyes, Gregory Ambos, Armin Linke, Jonas Leihener, and all contributors to the Critical Spatial Practice project.


Imprint + Legal Information

© Critical Spatial Practice, Markus Miessen (

All rights reserved, including the right of reproduction in whole or in part in any form.

Critical Spatial Practice is currently hosted by:

Staatliche Hochschule für Bildende Künste
Städelschule, Dürerstraße 10,
60596 Frankfurt am Main, Germany



Studio Matthias Görlich, Darmstadt

 Florian Schunck

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