Internet Site Details:


  • $2.97 for a 3 day test that renews at $39.95 each month for a full premium subscription into the site.
  • $29.95 / four weeks for a single month subscription towards web site.
  • $74.85 for a 3 thirty days membership on site.
  • $119.70 for a 6 month registration towards the web site.


  • My personal Profile: quickly revise your profile, publish pictures and video clips of yourself
  • My Personal Associations:
  • Notifications: See which sent you immediate communications, seen your profile and emailed you.
  • Mailbox: browse email messages and emails to other users using this part.
  • Online today: discover what members are on the web now.
  • Live Cams: See real time cams of females exactly who receives a commission to strip available.
  • Search: Find ladies relating to your requirements particularly age, area (country, city & zip code), gender, miles positioned for you.


Collectively study we do we constantly enter with an unbarred brain and that is precisely what we performed in such a case. We licensed as a free of charge member and noticed what any normal web user would see. Below we have included any evidence and proof wrongdoing. Check the full research below.

Battery Charging Your Own Mastercard Without Your Consent By Automatically Upgrading Individuals A “VIP Membership”

Any internet dating sites that people expose for frauds tend to be cookie cutters of a single another. They work these frauds in a similar manner, they’ve been designed a similar with yet another logo design and they are frequently controlled by certainly one of four various matchmaking systems. Within this the main research we’ve taken a screenshot showing you that if you purchase a membership on you are immediately upgraded to a VIP membership without your permission, and without your knowledge. Perhaps you have realized during the screenshot below circled in purple you’re immediately upgraded and billed to two various web sites together with paying for a membership for Quick Sex complement. The charges tend to be $39.61 per month and $28.87 every month to a web page called Should you decide finished up buying a membership you really need to talk about your credit card statement since you’ve been obtaining charged over $120 every month that you had no idea about.

(Screenshot associated with VIP improvement fraud.)

Vehicle Generated Fake Instant Communications Regularly People Into upgrading

After evading the financing card charge fraud we had been able to get entryway inside people part of the web site where first thing that occurred ended up being instant chat communications began appearing all over all of our computer screen. Today observe these chat communications ensure it is check just as if genuine women are giving all of us emails but it is all a facade. That isn’t actual, it’s an illusion which can be found because of innovation. Software coders have actually ascertain a means to deliver people fake chat messages that look legitimate. These high-tech bot programs use a form of synthetic intelligence to transmit folks computer-generated communications supplied by the program user inputting particular messages inside pc software plan. People who use the software package feedback different talk communications and various other variables following the pc computer software concealed to check like a real quick message will spit around those message emails to members of your website. Once you try to reply to these pretend emails (you think are real) you are constantly expected to upgrade and acquire a “free silver account” by confirming how old you are. Not to mention when you update to make sure that how old you are you’re immediately charged over $120 every month without your consent, without your knowledge and without the endorsement. You’ll be able to take a look at the automatically-generated instant messages below that individuals’ve integrated as evidence.

(Screenshot associated with fake instant information.)

Bogus Fake Web Cam Movies Regularly Lure You Into Upgrading

Something else that took place almost instantaneously after entering the users part of QuickSexMatch had been we received a webcam cam from a brunette in her own bra and underwear (see research below). You’ll be able to take a look at the screenshot that people provide. That isn’t a live cam cam in addition to woman is not really entering a message to united states (even though it looks like the woman is). Once more the causes are software applications products that are built to deceive you into believing regional women can be getting in touch with you. These very sophisticated techniques found in the bogus cam chat work very well. The only way to recognize in the event the webcam cam is actually genuine or perhaps not is always to view the video for at least one-minute and after that you’ll observe that the movie loops over and over. This is the way you’ll determine if video is in fact a live individual or pre-recorded. This particular webcam talk is a pre-recorded video used to con men and women into improving to a paid subscription creating a $100 cost.

(Screenshot with the artificial prerecorded looping video clip.)

Spiders Giving Fake Notifications As A Deception To Dupe Totally Free Members Towards Upgrading

Another technique employed by this web site will be send people artificial announcements. an alerts happens when you might be notified an individual supplies you with an immediate information, or views your own profile or deliver a contact. These are generally all a deception utilizing the highly sophisticated consumer software spiders. You can easily take a good look at the screenshot that people have supplied below as evidence. Not one of the women are genuine females giving us emails, viewing our profile or emailing us. That is all one huge fantasy, a trick getting men and women to improve.

(Screenshot of phony announcements we obtained.)

How To Identify Fictitious “Love Celebrity” Users

Further we’d like to share the pages on this website. The majority of users of females on this site tend to be artificial. These profiles were concocted and fabricated from the site’s own staff. These profiles have images of attractive appearing ladies along with fake profile information. The whole thing causes one genuinely believe that you’re getting instant emails and email messages and cam messages from actual girls in your society. But searching to the conditions and terms page we easily realized that the web site is actually developing an army of fake profile pages that they name really love movie stars. During the terms and conditions web page (part #10) of they openly state that they normally use make believe users and then have called them “Love Stars”. They also describe simple tips to recognize a fake profile on their website. Invest the a review of the data below you will see three various examples of make believe “enjoy Stars”. pages circle-in red you’ll see the letters “LS”. This is exactly an abbreviation for “adore Stars” a term that the people who own use to recognize their fake profiles. Remember this is all detailed themselves web site on their terms and conditions page, thus without any shadow of a doubt they have been building artificial profiles disguised appearing is actual women. We got a screenshot with the announcements we was given. You are able to take a look at that research below to know how strong this deception goes. Most of the profiles we viewed were “Love Stars”.

(Screen try of make believe “fancy celebrity” profile.)

(Screen try of fictitious “appreciation Superstar” profile.)

(Screen shot of make believe “fancy Star” profile.)

Pretend “Like Stars” Users Making Use Of Stolen Pictures Of Porn Stars

As we knew that internet site had been building a military of phony users we started using some of one’s handy software methods like Tin Eye. This is certainly a good web site to let you identify fake users anywhere. This website was not built to recognize phony pages nevertheless was designed to assist individuals spot in which any image  is located on different sites. All you have to do is supply a picture or a web link to a graphic that you are contemplating examining. You feedback that in to the web site after which if that photograph is available on other internet sites it will probably list all the locations that the profile photo is found on. It is an instant strategy to determine fake pages being using taken pictures. It is going to spit aside various other web areas where that precise images found on. That is a simple strategy to determine in case you are getting together with a proper individual or a fake any.

Possible take a good look at the evidence below and also see the matching backlinks. One of several girl was actually in fact a pornstar which actually had her very own web site and her own Twitter page. We very question that she licensed on

(Links revealing the exact website links where you can see this profile picture found:)

This woman is in fact a pornstar called Lonnie Waters. She actually provides her own website at and she actually provides a-twitter web page.



(Links showing the actual links where you are able to see this profile image found:)



The Terms And Conditions Is A Vital Little Bit Of Evidence We Now Have

The conditions and terms web page is the most eye-opening while the many incriminating section of this examination. Kindly just remember that , the terms and conditions were written by the internet site’s own directors. Regarding conditions and terms web page they admit to defrauding, misleading and in essence scamming people on their website. Some of the circumstances they admit to feature employing fictitious users (really love movie stars) they are in charge of generating. Additionally they confessed that they use the sham profiles in conjunction with robotic phony messages offering emails, quick messages and sms every included in an endeavor receive people to update. They go onto state that no bodily conference can previously happen between you and among their particular phony “appreciation Stars” profiles. This is exactly all shocking but it is the maximum piece of research we can easily previously hope for given that it demonstrates forever that QuickSexMatch is totally artificial. Read the foremost components of the terms and conditions page below or simply click this url to be studied right to the website where you are able to read it for your self.

  • You realize, acknowledge, and concur that many of the user pages posted on this website might fictitious or types or bots pertaining to the “prefer Stars” system.
  • You already know, recognize, and agree totally that the content, text, and photographs contained in the LS users cannot relate to virtually any genuine person or member, but are included for enjoyment reasons only.
  • You further realize, acknowledge, and agree totally that, from time-to-time, LS may contact internet site and solutions people and users via electric messaging, including for example, e-mail, immediate emails, and SMS, for purposes of encouraging further or wider engagement in our website’s providers and/or to keep track of individual task.
  • You comprehend, know, and agree totally that no physical conference is ever going to occur between both you and LS, hence the change of communications between both you and a LS is for enjoyment functions, and additionally to convince additional or wider involvement within website’s solutions and/or observe individual tasks.

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Final Choice: is merely another cookie cutter fake hook-up website that targets men seeking females on line. We have given you-all regarding the research we are able to that proves for you what this amazing site is actually all about. Though it’s disguised to look like the best relationship solution is in reality a well-hidden and well-thought-out fraudulence. Show this analysis on social media marketing which help have the phrase out concerning this revolting scam!

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This New provider Lets You Have An Imaginary Girlfriend For $25 every month – Mine Dumped Me

“are you presently disregarding me personally Ursula?” We texted this lady. “Could There Be one thing i ought to know?”

Following, nothing. It was more than. Ursula did not desire anything to perform with me anymore.

My personal “girlfriend” Ursula had been the temporary item of a brand new service which is only launched labeled as On Invisible girl (and yep, absolutely a counterpart,, you create a fake profile for a fake girl, and then you pay a $25 every month subscription charge. In exchange, you will get 100 sms, 10 voicemails and another postcard every month sent from a low profile entity online that goes by whatever title you should phone her.

The reason for this particular service to occur?

“We think the Invisible mate idea fulfills a common issue. Society sets really pressure in your commitment status. From Grandma to coworkers to romantic comedies, everybody else generally seems to anticipate all of us to follow a relationship. But occasionally you don’t want to maintain one. We genuinely believe that’s totally normal,” will be the organizations formal reason, on their webadult dating site.

The service has been in existence for over a year already, but this week they founded the complete, compensated “imaginary sweetheart” (or sweetheart) solution. Anyone can have a girlfriend who is out there merely through electric communication, who are able to answer your per book, given you’re willing to pay.

Those sms are delivered by a real person, as well. We provided the 10-text trial a-try for free on their website, which you’ll do at the same time. You will be making a profile, actually generate a tale about precisely how you met. You invent her age, name, place as well as a fake back ground tale on how you met. Or they recommend choice for you: Meet the beautiful Ursula Jimenez, new imaginary Mrs. Lowrie.

How great will be the solution? Well, you’ll be able to put it towards book — er, test. Here’s the totality of my personal commitment.

a number of this was genuine: No, I don’t drive a Tercel. Yes, You will find a co-worker called Chris, but he had beenn’t being a dick. Yes, I thought involved four hours a long time.  She held right up excellently.

On top of that, I happened to be wanting my personal Ursula as an overall total pushover once I had an existential situation. But no, she provided me with the difficult loving we earned. As well as within minutes of each and every text message. It absolutely was rather remarkable.

I made a decision to put her Googling skills to the test. No feedback. Absolutely Nothing. Was she down imaginarily cheating on me with another imaginary guy? Performed she maybe not know of any Armenian painters? My subsequent information was not responded to possibly, and she’d only sent five texts, maybe not the 10 I became anticipating

I would already been dumped after only five texts, by an individual who was being compensated to imagine to anything like me. Quite cool things.

Definitely, as it happens the 10 messages free of charge consists of my personal sms as well as hers. And is kinda petty. If I’d known how very little time my personal imaginary gf and I might have had with each other, I’d have invested it much more carefully.

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While I at this time inhabit California, I grew up in London and just have long been obsessed with the regal Family…more particularly, with Prince William, as I ended up being sure i might wed him one day.  I happened to be good! Really, the laughs on me and tomorrow Friday April 29th at Westminster Abbey, Prince William will marry his few years gf, Catherine Middleton, in what’s sure to be a conference observed by hundreds of thousands the world over.

Image credit:

I do not choose speculate about relationships of others-even celebrities are real men and women too, but as I ended up being studying the history of William and Kate, it jumped out at me they separated for awhile, experimented with sometime aside and are also now more powerful than ever and planning to close the offer forEVER.  While Really don’t think every person should breakup before they walk down the aisle, i really do applaud the regal few for really making the effort to determine what is right for them-and maybe not letting themselves is pushed or rushed into marriage too quickly simply because they’ve been matchmaking for such a long time.

It really is just like the horribly cheesy quote-”If you like someone, set all of them complimentary. If they return they may be yours, when they don’t they never ever happened to be.” I dislike to state this, but this quote is actually damn helpful advice.  You desire anyone to end up being to you since they like to, simply because they can’t stay without you (in a gorgeous method, perhaps not a psycho one) :) , and not simply because they feel like they have to remain.  A lot of of my buddies will be in relationships for a long time and want to get hitched given that they have actually “put the amount of time in” or “have been together a long time, this is the after that step”.  Matrimony should not be just another help a long term relationship…you should get hitched since you need start a life together, or love one another enough to create a public and binding devotion.  It is not always simple to simply take a honest examine the commitment to make the decision to take a step back, but in the long run it may really well be worth it.  You won’t want to be one-year into a wedding and get wanting you had thought about it more. It may be terrifying to let get and take a “break”…but In my opinion its scarier to dedicate your life to somebody you’re not positive about.

Although using for you personally to mirror tends to be a very important thing, coming back again together is actually the reward.  I am not hitched, thus I cannot talk from experience, but something tells me you’ll find nothing like taking a stand facing your family and friends (plus this case, the world) and announcing your love for some one in a lifelong commitment.  Never tune in to those who wanna push you into matrimony even though they feel it really is time-it’s your lifetime as well as your commitment.  Nobody knows just what really continues on in a relationship although two people who will be actually involved.  Even in the event they are a Prince and Princess ????

We, for starters, will certainly be watching the marriage and desiring the couple really.

Are you currently viewing? Perhaps you have taken a “break”?


File this package under “Cool Or Creepy?”

It’s really no shock thromantic at heart Facebook gathers plenty of data about the users, exactly what is actually shocking may be the results your website can draw by interpreting that information. Without a doubt Facebook knows when you are “solitary,” if you are “In A Relationship,” or when “It really is Complicated,” however it ends up the social networking site in fact knows much more than that regarding your sex life.

Twitter data scientist Mike Develin works on your website’s look function, learning exactly how folks use it, whatever they’re on the lookout for that isn’t offered, and the ways to allow a lot more beneficial. On the way, Develin with his group noticed some fascinating romance-related patterns.

It begins with a period of courtship. On Facebook, ‘courtship’ ways communications are exchanged, pages tend to be checked out, and posts are provided on each other’s timelines. Throughout 100 times prior to the commitment begins, there is certainly a slow but steady escalation in the sheer number of timeline posts shared involving the future couple. The peak is actually attained 12 days prior to the relationship start, at 1.67 articles a day

At “time 0,” once the union officially starts, a few’s Facebook connections beginning to drop. Presumably since they’re now investing longer with each other in-person, the pleased couple seems less need to communicate online. The cheapest point is 1.53 articles a day, achieved 85 times to the commitment. And that decline in myspace interactions arrives great concerning the content: the communications is likely to be fewer, however they buy sweeter and positive. Warm fuzzy emotions are dramatically on upswing after Day 0.

In the not-so-warm-and-fuzzy part is the break up data. The research staff in addition got a glance at lovers who separate and got in with each other, and documented the tale to their users. The utmost, Develin reports to American Today, was actually several exactly who went in and out of a relationship 27 instances within one year. Yikes. It is a very important thing Facebook in addition discovered a rise in exclusive communications, schedule posts, and comments from supporting buddies during a down economy.

Just what this all suggests is the fact that horoscopes won’t accurately predict enduring really love any time soon, but myspace might. “There is these types of a wide-ranging collection of data, such as on spots there may not information on normally,” Develin informed USA Today. And since Twitter knows such about its users’ genuine identification, there is certainly hardly any area its scientists could not check out. The designs they determine could be important in mapping real connections and appearing or disproving ideas about interactions. 

For more on precisely how to utilize this social media to locate times you will want to read our very own Twitter review.


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Architecture + Critical Spatial Practice

New York
United Nations, New York City

Städelschule Architecture Class’ (SAC) new specialisation in Architecture and Critical Spatial Practice (ACSP) navigates architecture as a critical spatial, political, cultural, and social tool taking full advantage of SAC’s position within the Städelschule. It draws on the playful and culturally discursive potential of the relationship between architecture and related disciplines, first and foremost art, to reinvigorate architecture with cultural, social and political criticism. It will establish a productive dialogue with the other half of the Städelschule benefiting from the friction that intrinsically exists between art and architecture. ACSP gains from cross-disciplinary fertilisation through intensive collaboration with Städelschule’s art department and a vital interaction of the student bodies.

In its approach to various contemporary topics, ACSP sees SAC’s presence in the Städelschule as a privileged position since one aspect of contemporary production in the arts is precisely to pose inquiries along the lines of how critical practices operate. In this context, architecture holds a particular promise since its relationship to spatial domains is inherent to its history and contemporary status. However, much contemporary production in architecture is void of its responsibilities in these terms and unaware of its consequences. ACSP aims to provide a much needed re-injection of a vital, critical discourse to the field.

Can social complexity, antagonistic encounter, and critical content exchange be designed? What constitutes the productive transitions of physical scales and programmatic (in-)formalities when it comes to political encounters? When we stage discourse, when and how does the political emerge?

Critical Spatial Practice should be understood as a means of rethinking one’s professional practice, operation, and codes of conduct. Consequently, the singular formal and often self-referential approach of architecture is being enhanced by a complex field of interests, methods and lines of attack. These utilize a set of specific tools at various scales in order to deal with a situation at hand in the most productive yet critical manner and set up critical ‘problematics’.


‘Hier Entsteht’ credits: Jesko Fezer and Mathias Heyden, Berlin

Tahrir Square, Cairo
(source: Wikipedia)

Architectural history has been dominated by publications as a site and test-ground for ideas: at some point, paper was the most radical architectural material of all. Architecture has a very specific history embedded in the production and dissemination of discursive platforms such as books, magazines and self-published fanzines.

ACSP understands itself at the intersection of publishing as distribution of ideas – the production of a pro-active and self-initiated (public) debate as a test-site for spatial speculation. Students will be directly involved in the formulation of questions, outlining of possible inquiries, researching and mapping those territories of concern, distributing ideas and content as a proposition: an active involvement in the world surrounding them.

Within Critical Spatial Practice, the question of feedback is crucial. Its pursuits no longer hinges on the belief in individual artistic production, but heavily depends on often conflictual exchange with likeminded practitioners, collaborators, as well as potential adversaries. Publishing will become a central tool for students to think their projects through a common format, which will help them to address their concerns to a specific, developed and predefined audience. Within this format, students will develop their individual or group projects that form part of a larger yearlong trajectory. Consequently, student work will focus not on a ‘final design’, but an inquiry and documentation of an experiment, a discursively argued thesis towards a ‘spatial condition.’ This condition may result in an architectural scale proposal, a social event, a policy document, an analysis of spatial typologies, or a critical documentation of an existing situation.

ACSP will think about ‘space’ without necessarily intervening in it physically, but trying to sensitise, promote, develop and foster an attitude towards contemporary spatial production, its triggers, driving forces, effects and affects. As a group, we will speculate on the modalities of production and potential benefits of the role of ‘the outsider.’

The setting up of such scaffold and borderlines is important as each individual contributor to the project needs to take a position, which always has consequences. Only when a border is acknowledged, understood and recognised it can be broken, transgressed or (mis)used. By deliberately producing such antagonistic fields of productive encounters, ACSP nurtures and exploits misunderstandings and a pro-active outlook on the value of failure as the starting point of all experimentation. An annual thematic umbrella formulates the subject of our investigation. This central narrative acts as a test ground on which individuals and groups can experiment.

Content as Signature?

“To professionalize is to impose structure.”
John O’Brian

“The MFA is the new MBA.”
Harvard Business Review

This seminar and symposium explores the relationship between architecture as a professional practice and the potential alternative roles and (institutional) avenues that such practice may explore. It presents the practice of architecture as one, which is part and parcel of a larger set of critical spatial practices that explore, develop, and exploit the symbiotic nature of contemporary culture and space. Leading up to the event, the seminar by Markus Miessen will present and explore the notion of the Crossbench Practitioner as a case study that investigates the possibility of a practice without mandate: how to become pro-actively involved in the (spatial) world that surrounds us, how to imagine a contemporary (professional) role outside the constraints of the traditional architecture office, how to imagine alternative career paths. Arguably, content has become a personal signature that sends messages far beyond the remit and often-hermetic nature of formal design discourses.

Guests: Erhan Öze, Matthias Görlich, Kai Vöckler

Download PDF:
Content-as-Signature.pdf [60KB]

Stealth Architecture

Historically, Frankfurt is home to the “Messe Frankfurt”, one of the largest trade fairs in the world, which – in its current legal and operational framework – was established in 1907. However, the actual trade fair dates back to 1152, when Frankfurt was first mentioned as a major port for international trade. One of the central advantages of Frankfurt as a historically interregional and later global city is owed to its highly convenient geopolitical location: next to or close to two major rivers (Main and Rhein), and well connected to major pan-European trade routes and road networks. Today, Frankfurt hosts the ninth busiest airport globally, and is home to the Lufthansa fleet. In 1785 the first recorded manned flight in Germany took place in Frankfurt when a hydrogen-balloon was launched as part of the trade fair. Lufthansa was founded two years after the Messe Frankfurt.

Hidden Infrastructures:
the enabling space for trade

Since Frankfurt is such an important centre for trade, it bursts with two very different sets of infrastructure: at first, it necessitates a formal infrastructure, which supports, benefits from, and enables official trade. Examples include the trade fair, the stock exchange, the European Central Bank, all major international banks, the airport, the train station, the motorways, business centres, and hotels.
Further, the above phenomenon produces a fertile ground for alternative forms of markets and trade, but also relies on a second-layer infrastructure, which allows for a trade-capital to operate on a daily basis, an infrastructure, which is often not visible and may not have a clearly recognizable and specifically designed facade or face to it. Examples of this phenomenon include Internet service hubs, server warehouses, the Commerzbank trading floor (Bahnhofsviertel), the largest Internet hub in the world (De-Cix Management GmbH, Ostend & Gallus), Central Data Centres (i.e. on Hanauer Landstrasse & Kleyerstrasse), Deutsche Börse Rechenzentrum Eschborn, call centres, (unofficial) detention centres, informal sex work, sterile environments, and second layer markets.


As part of the larger project Theatrum Mundi/Global Street, this yearlong research project at the Städelschule investigates the question and phenomenon of (informal) trade, spaces of infrastructure, and – more specifically – practices and buildings without a Face/ade. Theatrum Mundi/Global Street is a project that aims to bring architects, urban planners, and visual artists together in order to re-imagine questions of the public, publicness, and everyday street culture of 21st century cities. In New York, Theatrum Mundi is working on questions of choreography and public speaking, while the London group is working on questions of space, sound and light, the Städelschule Architecture Class (SAC) project will investigate the urban reality and potentials of exchange and trade, as well as the objects and spaces that these elements produce, both in relation to the city and to its spatial setting: meeting points, public and otherwise, in the shadow, so to speak.
As a starting point, the group will inquire questions of trade and how those practices spatialize within urban environments: what determines those processes, how are they ‘designed’, and at which moment do they become ‘architectural’?
Attempting to map and visualize the invisible, the studio will start by studying spatial histories of global trade on a local scale. We will use the city of Frankfurt as a central European case that exemplifies how material and immaterial goods are being circulated, ranging from formal to informal, from financial transactions to passenger flows and the urban infrastructure of physical products, from migrant communities (geo-political background) to the Elderly (age), from illegal practices to forms and formats of night labour, from spaces of financial infrastructure and information flows to control rooms, where decisions are being made. The fact that many of those practices are taking place as often unwanted but tolerated invisible practices also points at the question of what kind of urban culture is being promoted today.

While focusing on the local, Frankfurt – as an international city – by default reveals global implications and therefore the project will attempt to unpack relevant questions of geopolitics. As the studio will deal with the question of the invisible, one of the aims of this ‘de-stealthing’ project will be to x-ray the city that we inhabit, to ‘make presence’ (Saskia Sassen): from informal trade to histories of hidden spaces, from programs without facade to faceless buildings – architectural scale projects that disappear in the city’s fabric.
Dealing with such questions of trade and urban practices ‘below the radar’ (Saskia Sassen) will also entail to study, understand, and speculate on the constructions of identities and communities in the contemporary city. To speculate on this further raises the question of ‘urban capabilities’ (Saskia Sassen), in other words: why does a particular city lend itself to a specific, localized and customized set of practices?
In the context of this project, the notion of exchange and trade will be interpreted and tested as ‘soft encounters’ (Siobhan Davis), everyday practices that embody and reveal different notions of presence, awareness and perception. While some phenomena that we will investigate may take place in physically remote neighbourhoods and sites within the urban environment, others may claim and occupy spaces, which change on a 24hr timetable: activities that only take place after sunset (specific kinds of markets, sexual services, gambling, drug trading et al.), activities that illustrate the relationship between practices that ‘contaminate and decontaminate’ (Saskia Sassen), being open and accessible at times and hermetic at other times. When they accumulate they generate a rupture in the often-homogeneous daily life of the city.
These ruptures produced by the invisible are based on a very specific and alternative interpretation and practice of ownership: one, which tends to often not be based on legal, but temporary ownership, in other words: presence as a result of occupation, creating presence not by “owning” (a specific section of) the public space, but producing presence by inhabiting. What constitutes the thresholds and borders of such practices and architecture? What would such space look like today?
This endeavour should entail site-specific and research-based investigations and projects. In the Weltkulturen Museum we have, for instance, organized research-based sessions, workshops and displays open to the public, where we take various and specifically scouted and produced mappings and objects as triggers for an understanding of trade & presence, in particular an urban political presence. The Weltkulturen Museum will dedicate several exhibitions and events to the overall theme of “Trading Perceptions” over the following years. The diverse relationships that determine the ways in which artefacts have been circulated and traded, the connections of the museum to global commerce and to changing political and economic incentives are all aspects of the inquiry.

Green Room

The Green Room on the upper floor of the Weltkulturen Museum in Frankfurt is a laboratory space, which has been explored as a temporary production-in-residence in which the team has worked on an installation and display of process(es). The studio has been invited by the museum to undertake research in this laboratory-like condition, formulating new interpretations and creating original artworks based on the findings, superimposition and conflicts generated by the contemporary condition of Frankfurt (our findings) and the historic depth of the museum’s existing and outstanding collection. The space has been used as an archive of mapping and research work on stealth spaces and objects relating to formal and informal modes of trade, based on our ongoing investigation in the city of Frankfurt. In order to enhance the historic contextualization of the project, we have also worked with architectural photographs from the image archive as well as with selected architectural artifacts and objects of the collection of the Weltkulturen Museum.

Cultures Of Assembly

(Political Space and Agonistic Encounter)

This coming year, ACSP will inquire the complex narratives around political congregation. What constitutes the space for/of politics? This yearlong project will investigate how to imagine, devise and design a space of politics, both through content-related curatorial questions as well as its potential physical counterpart, differentiating between that which is politics and that which is the political. Small groups of students will work on thematic sub-clusters dealing with the question of how political congregation and struggle has been and is currently being staged, consciously or not, and how alternatives to those models could be developed.

Parliamentary chambers, by Ana Filipovic, 2012

Using the productive conflict between consensual versus dissensual modes of practice as a driving force to develop individual projects, we will think both through the terms of ‘curating content’ and ‘staging conflict’ in order to develop tools that help us define socio-spatial frameworks that can be tested against reality – ranging from transient and informal to highly structured and formal. These changes in scale (physical) and intention (in/formalities) will produce a fertile ground for speculation: if, sometimes, physical space (design) does not matter, what constitutes the elementary components of a political and/or social forum?

Students will develop a set of comparative critical studies, mappings and individual projects around the notion of congregational zones and territories as well as the social and spatial dynamics of institutions versus transitory settings of debate. Does decision-making take place only within the designed rigidity of the courtroom and parliament or does it emerge in the informal corner of the corridor, between meetings, with a coffee and a cigarette? And if so, how can such processes or spaces be addressed through design?

Occupy Frankfurt – Differentiated grounds, by Dunja Predic and Petter Hoff, 2012

Each year, the Class will conduct a content/theme-specific international research trip. In this new setting of ACSP, the Winter School Middle East operates as a strategic link between the Städelschule and outside activities and projects.


The Space of Agonism

Markus Miessen, Chantal Mouffe
Critical Spatial Practice 2
Sternberg-Press, 2012

Edited by Nikolaus Hirsch and Markus Miessen
Including an artist project by Rabih Mroué

The second volume in the Critical Spatial Practice series presents a selection of conversations between Markus Miessen and political philosopher Chantal Mouffe. Taking place intermittently between December 2006 and October 2011, the dialogues attempt to unpack current dilemmas and popular mobilizations in terms of consensus-driven formats of political decision making. The conversations were alternately driven by Miessen’s specific concerns regarding his ongoing investigation into conflict-based forms of participation as an alternative (spatial) practice in democratic systems, and Mouffe’s understanding and theory of a “conflictual consensus.” Thinking in terms of agonism and “demoicracy”—a union that acknowledges the plurality and permanence of its different populations—the book proposes new approaches to countering and responding to the globalizing thrust of neoliberalism.

Design by Zak Group
November 2012, English
10.5 x 15 cm, 148 pages, 23 color ills., softcover with dust jacket
ISBN 978-3-943365-41-2

What Is Critical Spatial Practice?

Nikolaus Hirsch, Markus Miessen (Eds.)
Critical Spatial Practice 1
Sternberg-Press, 2012

In September 2011, Nikolaus Hirsch and Markus Miessen invited protagonists from the fields of architecture, art, philosophy, and literature to reflect on the single question of what, today, can be understood as a critical modality of spatial practice. Most of the sixty-four contribu­tions presented in this volume were composed concurrently with the evictions of many of the Occupy movements, sustained turmoil in countries of the Arab Spring, and continued spasms in the global financial system, which, interestingly, all pointed at the question and problematic of whether archi­tecture and our physical environment can still be understood as a res publica. A response by the editors takes the form of a conversation.

This book is first in a series on critical spatial practice developed alongside the Städelschule program of the same name. Each edition includes work by invited artists—the first includes newly commissioned work by the photographer Armin Linke, who documented the Occupy camp around the European Central Bank in Frankfurt.

Design by Zak Group
September 2012, English
12 x 16.5 cm, 240 pages, 8 color ill., softcover
ISBN 978-3-943365-27-6

Cultures Of Assembly, newspaper, 2012

Architecture+Critical Spatial Practice, 2012

Design by Studio Matthias Görlich
(Matthias Görlich, Charalampos Lazos)

Download PDF:
Cultures Of Assembly, Newspaper, 2012
 [8.8 MB]

Stealth Architecture, newspaper, 2013

Architecture+Critical Spatial Practice, 2013

Design by Studio Matthias Görlich
(Matthias Görlich, Charalampos Lazos)

Download PDF:
Stealth Architecture, Newspaper, 2013
 [8.2 MB]


Markus Miessen
Guest Professor, ACSP Städelschule;
architect and writer, director Studio Miessen, Berlin.

Nikolaus Hirsch
Professor, director Städelschule and co-editor, Critical Spatial Practice book series

Matthias Görlich
Designer and Consultant, ACSP and CSP website

Zak Kyes
Designer, Critical Spatial Practice book series

Caroline Schneider
publisher CSP book series, Sternberg Press

Johan Bettum
Professor, Program Director, Städelschule Architecture Class (SAC)

Ben van Berkel
Professor, Dean, Städelschule Architecture Class (SAC)

Ana Filipovic, Dunja Predic, Petter Hoff, Phillip Zach, Elif Erkan, Iva Baljkas, Joel Roy, Flaka Haliti, and Christoph Esser.

Guest Critics:
Nikolaus Hirsch, Matthias Görlich, Mirco Becker, Beatriz Colomina, Joseph Grima, Federica Bueti, Armin Linke, Dr. Clémentine Deliss, Dr. Yvette Mutumba, Diogo Pereira, Yulia Startsev, and Zak Kyes.

Nikolaus Hirsch, Dr. Clémentine Deliss, Dr. Yvette Mutumba, Caroline Schneider, Tatjana Günthner, Matthias Görlich, Charalampos Lazos, Patricia Reed, Zak Kyes, Gregory Ambos, Armin Linke, Jonas Leihener, and all contributors to the Critical Spatial Practice project.


Imprint + Legal Information

© Critical Spatial Practice, Markus Miessen (

All rights reserved, including the right of reproduction in whole or in part in any form.

Critical Spatial Practice is currently hosted by:

Staatliche Hochschule für Bildende Künste
Städelschule, Dürerstraße 10,
60596 Frankfurt am Main, Germany



Studio Matthias Görlich, Darmstadt

 Florian Schunck

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